A Novel. Author: Elizabeth L. Silver.
Publisher: Broadway Books. ISBN:. Category: Fiction. Page: 336. View: 6078An unforgettable and unpredictable debut novel of guilt, punishment, and the stories we tell ourselves to survive Noa P.
Singleton never spoke a word in her own defense throughout a brief trial that ended with a jury finding her guilty of first-degree murder. Ten years later, having accepted her fate, she sits on death row in a maximum-security penitentiary, just six months away from her execution date. Meanwhile, Marlene Dixon, a high-powered Philadelphia attorney who is also the mother of the woman Noa was imprisoned for killing. She claims to have changed her mind about the death penalty and will do everything in her considerable power to convince the governor to commute Noa's sentence to life in prison, in return for the one thing Noa can trade: her story.
Marlene desperately wants to understand the events that led to her daughter’s death—events that only Noa knows of and has never shared. Inextricably linked by murder but with very different goals, Noa and Marlene wrestle with the sentences life itself can impose while they confront the best and worst of what makes us human. Now with Extra Libris material, including a reader’s guide and bonus content.
Author: Paul Gauguin. Publisher: Forgotten Books. ISBN: 171. Category:. Page: 38. View: 9228Excerpt from Extracts From Noa-Noa With a sceptical smile upon my lips, I looked upon this fallen princess, with the impudence of a freshly landed European. But I wanted to be polite.
About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. Author: Paul Gauguin.
Publisher: Franklin Classics Trade Press. ISBN: 185. Category:. Page: 178. View: 6705This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.
Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.
We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. Author: Daniel R. Schwarz. Publisher: University of Missouri Press. ISBN: 266.
Category: Literary Criticism. Page: 194. View: 9678Leading Conradian scholar Daniel R. Schwarz assembles his work from over the past two decades into one crucial volume, providing a significant reexamination of a seminal figure who continues to be a major focus in the twenty-first century.
Schwarz touches on virtually all of Joseph Conrad's work including his masterworks and the later, relatively neglected fiction. In his introduction and in the persuasive and insightful essays that follow, Schwarz explores how the study of Conrad has changed and why Conrad is such a focus of interest in terms of gender, postcolonial, and cultural studies. He also demonstrates how Conrad helps define the modernist cultural tradition.
Exploring such essential works as Heart of Darkness, Lord Jim, Nostromo, and 'The Secret Sharer,' Schwarz addresses issues raised by recent theory, discussing the ways in which contemporary readers, including, of course, himself, have come to read Conrad differently. He does so without abandoning crucial Conradian themes such as the disjunction between interior and articulated motives and the discrepancies between dimly acknowledged needs, obsessions, and compulsions and actual behavior. Schwarz also touches on the extent to which Conrad's conservative desires for a few simple moral and political ideas were often at odds with his profound skepticism. A powerful close reader of Conrad's complex texts, Schwarz stresses how from their opening paragraphs Conrad's works establish a grammar of psychological, political, and moral cause and effect. Rereading Conrad sheds new light on an author who has spoken to readers for over a century. Schwarz's essays take account of recent developments in theory and cultural studies, including postcolonial, feminist, gay, and ecological perspectives, and show how reading Conrad has changed in the face of the theoretical explosion that has occurred over the past two decades.
El Diario De Mexico
Because for over three decades Schwarz has been an important figure in defining how we read Conrad and in studying modernism, including how we respond to the relationship between modern literature and modern art, scholars, teachers, and students will take great pleasure in this new collection of his work.